The Notebooks

The Black Notebook

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I agreed he was right; but then, inspired with our success over the young American’s journal, we decided to invent another as written by a lady author of early middle-age, who had spent some years in an African colony, and was afflicted with sensibility. This is aimed at Rupert, editor of Zenith, who has asked me for ‘some things of yours - at last!’

James had met Rupert and hated him. Rupert is wet, limp, hysterical, homosexual, intelligent.

Easter week. The doors of the Russian Orthodox Church in Kensington stand flush with the mid-Twentieth Century Street. Inside flickering shadows, incense, the kneeling bowed figures of immemorial piety. The bare vast floor. A few priests absorbed in the ritual of their service. The few worshippers kneeling on the hard wood, bending forward to touch their foreheads to the floor. Few, yes. But real. This was reality. I was aware of reality. After all, it is the majority of mankind who have their beings inside a religion, the minority who are pagan. Pagan? Ah, that is a joyous word for the aridity of Godless modern man! I stood while the others kneeled. I, stubborn little me, I could feel my knees buckle under, I, who was the only one obstinately standing. The priests grave, harmonious, masculine. A handful of delightful pale young boys charmingly grave with piety. The thundering rich virile waves of the Russian singing. My knees, faint … I found myself kneeling. Where was my little individuality which usually asserts itself? I did not care. I was aware of deeper things. I found the grave figures of the priests wavering and blurring through the tears in my eyes. It was too much. I stumbled up and fled that soil, not mine; that solemnity, not mine … should I perhaps no longer describe myself as an atheist but an agnostic? There is something so barren about the word atheist when I think (for instance) of the majestic fervour of those priests. Agnostic has more of a tone? I was late for the cocktail party. No matter, the countess did not notice. How sad, I felt, as I always do, to be the Countess Pirelli… a comedown, surely, after having been the mistress of four famous men? But I suppose we each of us need our little mask against the cruel world. The rooms crowded as always with the cream of literary London. Spied my dear Harry at once. I am so fond of these tall, pale-browed equine Englishmen - so noble. We talked, under the meaningless din of the cocktail party. He suggested I should do a play based on Frontiers of War. A play which should take no sides but emphasize the essential tragedy of the colonial situation, the tragedy of the whites. It is true, of course … what is poverty, what are hunger, malnutrition, home-lessness, the pedestrian degradations (his word - how sensitive, how full of true sensibility are a certain type of Englishman, far more intuitive than any woman!) compared to the reality, the human reality of the white dilemma? Listening to him talk, I understood my own book better. And I thought of how, only a mile away, the kneeling figures on the cold stone of the Russian church bowed their foreheads in reverence to a deeper truth. My truth? Alas no! nevertheless I have decided I shall henceforth describe myself as an agnostic and not an atheist, and I shall lunch with my dear Harry tomorrow and discuss my play. As we parted, he - so delicately - squeezed my hand, a chill, essentially poetic pressure. I went home, nearer to reality I think than ever in my life. And, in silence, to my fresh narrow bed. So essential, I feel, to have clean linen on one’s bed every day. Ah, what a sensuous (not sensual) pleasure to creep, fresh-bathed, between the cool clean linen, and to lie awaiting sleep. Ah, lucky little me …

The Notebooks

The Black Notebook

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