The Notebooks

The Blue Notebook

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I came low over a village, and saw peasants working in the fields. They had a quality of stern purpose which attracted me to them. I willed my feet to let me descend gently to the earth. The joy of the dream was more intense than I have experienced, and it was the joy of freedom. I came down to the ancient earth of China, and a peasant woman stood at the door of her hut. I walked towards her, and just as Paul had stood, bending, by the sleeping Anna a short time before, needing to become her, so I stood by the peasant woman, needing to enter her, to be her. It was easy to become her. She was a young woman, and she was pregnant, but already made old by work. Then I realized that Anna’s brain was in her still, and I was thinking mechanical thoughts which I classified as ‘progressive and liberal’. That she was such and such, formed by this movement, that war, this experience, I was ‘naming’ her, from an alien personality. Then Anna’s brain, as it had done on the hillside in Algeria, began to flicker and to wane. And I said: ‘Don’t let terror of dissolution frighten you away this time, hold on.’ But the terror was too strong. It drove me out of the peasant woman, and I stood to one side of her, watching her walk across a field to join a group of men and women working. They wore uniforms. But now terror had destroyed the joy, and my feet would no longer tread down the air. I trod down and down, frantic, trying to climb up and over the black mountains which separated me from Europe, which now, from where I stood, seemed a tiny meaningless fringe on the great continent, like a disease I was going to re-enter. But I could not fly, I could not leave the plain where the peasants worked, and fear of being trapped there woke me. I woke into a late afternoon, the room full of dark, the traffic roaring up from the street below. I woke a person who had been changed by the experience of being other people. I did not care about Anna, I did not like being her. It was with a weary sense of duty I became Anna, like putting on a soiled dress.

And then I got up and switched on the lights, and heard movement upstairs, which meant Saul had come back. As soon as I heard him my stomach clenched up, and I was back inside sick Anna who had no will.

I called up to him and he called down. His voice being cheerful, my apprehension went. Then he came down, and it returned, for he had on his face a consciously whimsical smile, and I wondered, which role is he playing? He sat on my bed and he took my hand and looked at it with a consciously whimsical admiration. I knew then, that he was comparing it with the hand of a woman he had just left, or a woman he wanted me to believe he had just left. He remarked: ‘Perhaps I like your nail varnish better after all.’ I said: ‘But I’m not wearing nail varnish.’ He said: ‘Well, if you were I’d probably like it better.’ He kept turning my hand over, looking at it with amused surprise, watching me to see how I took the amused surprise. I took my hand away. He said: ‘I suppose you’re going to ask me where I’ve been.’ I said nothing. He said: ‘Ask me no questions and I’ll tell you no lies.’ I said nothing. I felt as if sucked into a quicksand, or pushed on to a conveyor belt that would carry me into grinding machinery. I walked away from him to the window. Outside was a dark glistening rain and the roofs were wet and dark. The cold struck on the window-panes.

The Notebooks

The Blue Notebook

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