The Notebooks

The Yellow Notebook

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She went to the office, after leaving the child at his nursery school, feeling as if cold had got into her bones, into her backbone. She was shivering slightly. Yet it was a warm day. For some days she had not been in connection with Patricia, she had been too absorbed in her happiness. Now she easily came close to the older woman again. Patricia had been married, for eleven years; and her husband had left her for a younger woman. Her attitude towards men was a gallant, good-natured, wisecracking cynicism. This jarred on Ella; it was something foreign to her. Patricia was in her fifties, lived alone, and had a grown-up daughter. She was, Ella knew, a courageous woman. But Ella did not like to think too closely about Patricia; to identify with her, even in sympathy, meant she might be cutting off some possibility for herself. Or so she felt. Today Patricia made some dry comment about a male colleague who was separating from his wife, and Ella snapped at her. Later she came back into the room, and apologized, for Patricia was hurt. Ella always felt at a disadvantage with the older woman. She did not care for her as much as she knew Patricia did for her. She knew she was some sort of symbol for Patricia, a symbol perhaps of her own youth? (But Ella would not think about that, it was dangerous.) Now she made a point of staying with Patricia and talking and making jokes, and saw, with dismay, tears in her employer’s eyes. She saw, very sharply, a plump, kindly, smart, middle-aged woman, with clothes from the fashion magazines that were like a uniform, and her gallant mop of tinted greying curls; and her eyes — hard for her work, and soft for Ella. While she was with Patricia, she was telephoned by the editor of one of the magazines that had published a story of hers. He asked if she were free to lunch. She said she was, listening in her mind to the word free. For the last ten days she had not felt free. Now she felt, not free, but disconnected, or as if she floated on someone else’s will — Paul’s. This editor had wanted to sleep with her, and Ella had rejected him. Now she thought that very likely she would sleep with him. Why not? What difference did it all make? This editor was an intelligent, attractive man, but the idea of his touching her repelled her. He had not one spark of that instinctive warmth for a woman, liking for a woman, which was what she felt in Paul. And that was why she would sleep with him; she could not possibly have let a man touch her now, whom she found attractive. But it seemed Paul did not care one way or the other; he made jokes about the ‘man she had taken home from the party’, almost as if he liked her for it. Very well, then; very well — if that’s what he wanted, she didn’t care at all. And she took herself off to lunch, carefully made-up, in a mood of sick defiance of the whole world.

The Notebooks

The Yellow Notebook

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